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46 Rossi, Valentino
AMP'D LIVE AMP'D MOBILE, INC.
AMP'D MOBILE AMP'D MOBILE, INC.
AMP'D MOBILE AMP'D MOBILE, INC.
AMP'D MOBILE AMP'D MOBILE, INC.
AMP'D MOBILE AMP'D MOBILE, INC.
AMP'D MOBILE AMP'D MOBILE, INC.
APPCRITICAL Apparent Networks, Inc.
ARABS FUTURE MEDIA ARCHITECTS, INC
ARABS.COM FUTURE MEDIA ARCHITECTS, INC
ARABS.NET FUTURE MEDIA ARCHITECTS, INC
B2B MADE EASY R.H. DONNELLEY INC.
CMP CHANNELCAST CMP MEDIA LLC
CONVERA Convera Corporation
CONVERA Convera Corporation
COOL FUTURE MEDIA ARCHITECTS, INC
D DUB Industries LLC
D DUB Industries LLC
DON'T CALL IT A PHONE HELIO LLC
DON'T CALL US A PHONE COMPANY HELIO LLC
DROPSTARS DUB Industries LLC
DROPSTARS DUB Industries LLC
DUB DUB PUBLISHING, INC.
DUB DUB PUBLISHING, INC.
ENTERPRISE VALUE ARCHIVES ARCHITECTURE IRON MOUNTAIN INCORPORATED
ENTERTAINMENT2GO LodgeNet Entertainment Corporation
EVAA IRON MOUNTAIN INCORPORATED
FOR MUSICIANS BY MUSICIANS The Musicians Channel, LLC
H HOMESTEAD TECHNOLOGIES INC.
HELIO HELIO LLC
HELIO HELIO LLC
HOMESTEAD HOMESTEAD TECHNOLOGIES INC.
JUSTIA Justia Inc.
KIDS AGAINST JUNK FOOD WGBH EDUCATIONAL FOUNDATION
KUDU CLUB MIH INTELPROP HOLDINGS LIMITED
LOUDEYE Encoding.com, Inc.
MAIL-TV FUTURE MEDIA ARCHITECTS, INC
MAIL.TV FUTURE MEDIA ARCHITECTS, INC
MAILTV.COM FUTURE MEDIA ARCHITECTS, INC
MICROSOFT ENHANCED MICROSOFT CORPORATION
MOVISO MOBILE ? VISION ? SOUND INFOSPACE, INC.
MPV OPTICAL STORAGE TECHNOLOGY ASSOCIATION
MPV OPTICAL STORAGE TECHNOLOGY ASSOCIATION
MRC The Musicians Channel, LLC
MSPOT MSpot, Inc.
MUGSHOT RED HAT, INC.
NEWSWORTHYAUDIO Newsworthy Inc.
NUVEON NUVEON composed of Jeremy Saltzman, Emil F. Jachmann, Brian A. Saltzman, all US citizens
OMNIPOD OMNIPOD, Inc.
OMNIPOD OMNIPOD, Inc.
OPERATIVE Operative Media, Inc.
OVERDRIVE MEDIA OVERDRIVE MEDIA, INC.
OXIDE SEARCH FUTURE MEDIA ARCHITECTS, INC
PARTY FUTURE MEDIA ARCHITECTS, INC
PERSONAL ONLINE DESKTOP OMNIPOD, Inc.
PIONEER EDITION NATIONAL GEOGRAPHIC SOCIETY
POP ITVNET, INC.
POPHOLLYWOOD ITVNET, INC.
POWERCAST Sidereus Technologies, Inc.
POWERED BY POPCAST ITVNET, INC.
POWERSCREEN Sidereus Technologies, Inc.
PROFESSIONAL ONLINE DESKTOP OMNIPOD, Inc.
Q APPLE COMPUTER, INC.
ROWERVALS Troy Jacobson Multi-Sport, LLC
STREAMBOX Streambox Inc.
STRENDURANCE Troy Jacobson Multi-Sport, LLC
THE DOCTOR Rossi, Valentino
THE STRONG & FOCUSED LIFE Troy Jacobson Multi-Sport, LLC
TIS TIS Industries, LLC
TIS TIS Industries, LLC
TWENTY INCHES STRONG TIS Industries, LLC
TWENTY INCHES STRONG TIS Industries, LLC
V-MARK Mobixell Networks Inc.
VALEROSSI Rossi, Valentino
VALE|46 Rossi, Valentino
VR Rossi, Valentino
VR|46 Rossi, Valentino
WALLOP MICROSOFT CORPORATION
Technical Examples
  1. Video is received at a standard aspect ratio. The video includes video content having an alternate aspect ratio. The video content is provided in a letterboxed format with black bars to make up the standard aspect ratio. The video is analyzed to identify portions of the video related to changing video content. A boundary for the changing video content is identified as the alternate aspect ratio. The alternate aspect ratio is then applied to the video to present the video at the alternate aspect ratio. Extraneous portions of the video, such as the black bars, are then discarded from the video to present the video at the alternate aspect ratio.
  2. Disclosed is a system for generating a graphics window that is capable of emulating enhanced video from a combined video and interactive content stream. The set-top emulator can randomly access the combined video and interactive content stream to provide an easy manner of randomly accessing portions of the combined video and interactive stream for quality control purposes. Random access allows selective viewing of the enhanced video which saves time. Additionally, the combined video and interactive content stream can be simultaneously viewed as it is being produced to allow immediate feedback to an interactive television producer.
  3. The present invention relates to regulating the quality and/or bitrate of content within mixed content video when the video is compressed subject to a bitrate constraint. For example, a screen capture encoder encodes palletized content within a frame of screen capture video. Subject to an overall bitrate constraint, the encoder then allocates bits for continuous tone content within the frame. By controlling the allocation of bits used to encode the continuous tone content, the encoder regulates bitrate for the continuous tone content. This in turn can allow the encoder to regulate spatial quality and/or overall temporal quality for the video. In one scenario, for screen capture video encoded to a (relatively) constant overall bitrate, the screen capture encoder reduces the bitrate (and quality) of the continuous tone content, instead spending bits to increase the overall frame rate of the video.
  4. A system for dynamically placing textual elements adjacent a video content, based on aspect ratios, includes means for detecting the aspect ratio of the media player content and the aspect ratio of the display device and determining if there are unused positions of the video content when displayed on the display device.
  5. A method for verifying specific profile, legal, and social preference data responses for generating a selectively approved membership database. Membership security is completed with a biometric security authentication of each member upon member logon. A media player is used for recording and delivering video on demand; live video broadcast communications, and video/audio relational database management as well as searching the database for Digital video and audio content defined by indexed unique hint track data. Live video conferencing is available utilizing bandwidth scheduling methods for quality video control and creating audit logs for member accountability and content control.

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